Verdict: Dynaudio Evoke 10. That larger chamber, in conjunction with the new pressure conduit, reduces the back-pressure on the rear of the tweeter diaphragm, effectively enabling enhanced frequency extension. For mild bass reduction, fit only the outer foam ring by sliding it in the port tube so that it sits just inside the flared port exit—making sure it retains its shape to minimise airflow turbulence. And as you can imagine, this features trickle-down tech from their higher-end models. Secondly although Dynaudio specifies minimum impedance as being 3Ω at 100Hz, Newport Test Labs shows that minimum impedance of its test sample was a little lower again, at 2.8Ω (at 100Hz). The bass is not only powerful (turn up the volume at the peril of your ears, and the annoyance of your neighbours… because those Dynaudio bass drivers are built tough, they can take it) but also enormously extended. Between warmth, that’s easy to listen to yet something that’s also very expressive. In 2005, Edifier's high-end flagship product S2000, was launched on the market. Dynaudio has a fairly simplistic answer in its Owner’s Manual, which takes the form of this advice: ‘(Plugs) can be fitted to reduce the bass emphasis that may be apparent if the speakers are placed close to room boundaries. So 35Hz to 22kHz ±3dB it is. When everyone is still discussing Bluetooth speakers, Dynaudio has already considered that speakers need to be "wireless" and must not rely solely... EDIFIER s2000 Pro Active Wireless Speaker Review, Dimensions (W x H x D): 180x315x266mm, 7.1×12.4×10.5in, Dimensions with feet/grille (W x H x D): 180x315x277mm, 7.1×12.4×10.9in. There’s nothing wrong with that at all. DYNAUDIO EVOKE 20 standmount speakers + Clean, smooth sound without being overly dry nor analytical; good midrange presence with room-shaking bass. This driver has a flat response, and its response rolls off nicely above and below its passband. If you listen to loud volumes, they’re probably not going to be the best choice for you. Sensitivity: 88 dB. It’s a compact two-way, rear-ported, bass-reflex design. I’ll discuss how you’d use these bungs later in this review. This review and test originally appeared in Australian Hi-Fi magazine, one of What Hi-Fi?’s sister titles from Down Under. Let’s take a look at the back. You can see that for this trace, taking 95dBSPL as the 0dB reference point, the response extends from 900Hz to 22kHz ±2.5dB. Sign up below to get the latest from What Hi-Fi?, plus exclusive special offers, direct to your inbox! Let’s talk about something a little less obvious that I didn’t cover already. When you listen to the Evoke 10, the sound does come across more like it’s limited to the plane of the loudspeakers themselves, which for me is fine. And every finish has been painstakingly formulated and executed to reflect those on our most exclusive speakers. (Foam surrounds tend to rot, particularly when exposed to ultraviolet light, of which there’s a lot in Australia!) The 40’s are getting high praise… One review I read of these speakers proclaimed them as the best bookshelf speaker Dynaudio has made. but in the particular case of the Dynaudio Evoke 50, its unique double-dome structure would make such a repair challenging, to say the least. Great news! Graph 1 shows a frequency response that was obtained using two different techniques. So I would say that you’ll be good to go at your height or slightly lower in the sweet spot. In other words, they’re balanced like all things should be. They also have some excitement about the presentation. On the back, we are going to have our rear port. I love the fact that it also integrates so well with the tweeter. Add to wishlist. It’s almost the same up to 400Hz after which the response of the upper-most driver rolls off quite dramatically to trough at 550Hz before rising. That leads me to the individual elements of the presentation, starting with the treble. Dynaudio has trickled down one of the technologies it uses in its high-end loudspeakers to a totally affordable model. It’s not going to have that sharp treble or the V curve that many people like with bright treble and massive bass. The high-frequency response of the Dynaudio Evoke 50 is shown in greater detail in Graph 2, but you should note that the different measurement technique that’s used in order to provide this detail means that only high-frequencies can be measured (in this case, those above 900Hz). The Evoke 10 has a warm, comfortable to listen to the sound. You can walk around a room. Customer ratings and reviews. Generally, I would recommend not using the plugs unless you find the bass a bit ‘boomy’ and ‘one-note’ in which case I’d recommend blocking the ports completely… not just using a ‘half bung’. Dynaudio’s Evoke 50 loudspeakers returned an excellent set of results in Newport Test Labs’ acoustic test laboratory, and is notable for having a particularly-well-extended bass response. It could be that this ‘puck’ is there to protect the tweeters during shipping—and it certainly does this very effectively—but I suspect the real reason it’s there is to protect the tweeters from damage while the speakers are on display in retail showrooms. It scales very well. There may be something else that you may prefer, especially if you want the sharpness of metal done or that kind of forward sound that you get from a lot of metal woofers. The Dynaudio Evoke 50 is available in two different high-gloss painted finishes (high-gloss white and high-gloss black) and two different synthetic wood finishes: walnut and blonde. Let’s talk about mid-range. They’re well-established in multiple industries, such as the professional audio market, home audio market, the automotive industry, and the custom install industry. That result is very engaging. Inherently there’s slightly smooth sounding but are capable of delivering a little bit of lively top-end. This is because the train whistle’s sound waves are compressed when the train is approaching our listening position and ‘stretched out’ when it’s departing our position. They tend to sound good with a wide variety of components, mostly solid-state. The Evoke 10 itself is a very straightforward design. “The drivers in the Evoke are the best to date. Every driver has been optimised in Dynaudio's state-of-the-art Jupiter measuring lab. Dynaudio Evoke 10 Loudspeakers EVOKE 10 - Seriously entertaining. An outstandingly homogenous and holistic sounding standmount speaker that does credit to its heritage and continues Dynaudio's story of success in this field. It doesn’t feel like this tiny speaker to where you have to be sitting at a certain height to get that decent sense of scale out of it. Optional Powered Sub: Add a Dynaudio powered subwoofer ( Sub 3 / Sub 6 - sold separately) for deeper, bigger bass response and a more immersive experience from your 2ch stereo or multichannel home theater Evoke system. Speakers come in big brown cardboard boxes short on special opening experiences. If we are standing on a railroad station, and a train approaches us with its whistle blowing, we will hear the whistle as a higher frequency while the train is approaching, at its ‘proper’ (lower) frequency when the train is alongside us, and at an even-lower frequency when the train is moving away from us. Please deactivate your ad blocker in order to see our subscription offer. The first is that the impedance of the Dynaudio Evoke 50 remains at or significantly below 4Ω from around 75Hz right up to 700Hz, so this speaker will require your amplifier to deliver some fairly serious current, as well as voltage. It’s very important to note that one thing all the drivers fitted to the Evoke 50 have in common is that they are all designed and manufactured ‘in-house’ by Dynaudio itself. As is becoming increasingly common these days, Dynaudio provides soft foam plugs, or ‘bungs’ with the Evoke 50. But for the best performance from the sweet spot, I found that they do best with 28-inch stands. You likely haven’t heard of it because all loudspeaker manufacturers prefer to keep very quiet about Doppler distortion because all of them sell speakers that suffer from it. Evoke 50 is the only speaker in the family to have a dedicated midrange driver, so the engineers in Dynaudio Labs decided to make it a little bit special. Given that the higher of the two crossover frequencies is at 3.5kHz, I expect that the 3–6kHz lift is the result of some summing of the midrange and tweeter outputs, and as such might not be as apparent when listening slightly off-axis. The section of the trace below 900Hz is the averaged result of nine individual frequency sweeps measured at a distance of three metres, with the central grid point of the microphone on-axis with the tweeter, so one measurement is made with the mic aimed directly at the tweeter, another with the mic higher, another with it lower, another with it off to one side, another with it off to the other, and so on, until nine traces have been acquired, after which they’re averaged via post-processing. The speakers themselves feel very substantial and well put together. That’s what these speakers can deliver. This product is sold through many dealers, especially in North America, that offer up to sixty-day money-back guarantee trial periods. Another thing I like about the treble beyond just the usual audiophile stuff is spatial separation. It’s very versatile, very matter-of-fact, yet it’s like there’s no character to the sound. Returning again to that tweeter, and it encroaching on the Esotar3’s territory, I’ve always found Phil Smith’s posthorn solo in Bernstein’s take on Mahler’s Third, with the New York Philharmonic (DG 427 328-2), a very good test of a tweeter, and listening to it via the Dynaudio Evoke 50s I heard all of the brightness, cleanliness and punch-through that I expect to hear, and all against an atmosphere so orchestral you could cut it with a knife. The bass will be strong for a speaker this size but don’t expect it to rumble your room. You can see for yourself that the response is marginally smoother and more linear without the grille, though the differences are barely significant. There’s also some richness to the character that helps make for an engaging listening experience. The ability for a loudspeaker to mimic the spoken voice of someone you know well is a lot harder than you’d imagine, yet I’m happy to report that when one channel of a Dynaudio’s Evoke 50 was reproducing a mono home recording of the dulcet tones of my nearest and dearest, I could easily have sworn she was right there in the room with me. I know that the cabinets are designed and made in Denmark. And that midrange driver is a newly-developed model with an overall diameter of 150mm, a moving diameter (that is, the diameter of the cone and roll surround) of 120mm and a Thiele/Small diameter of 115mm. The ability of the Dynaudio Evoke 50s to create not only a superb stereo image, but a complete soundstage, is second to none… and you don’t have to be in the sweet spot either. However, spreading the load of the low-frequencies across two drivers not only allows the use of smaller-diameter drivers, it also distributes the amplifier power between two voice-coils, rather than one, which means increased power-handling capability and, more importantly, reduced dynamic compression. And let’s imagine that that driver is producing a deep bass note at 20 cycles per second (i.e., 20Hz), so it’s moving back and forth 20 times per second. May 2019 (98%) 11 Reviews. Nothing much to report here. Dynamic output for something that has a slightly rich and laid back sound is outstanding. Excellent design. Cerotar-diskanten er helt ny, med en ekstra indvendig dome kaldet Hexis, der bryder resonanser op. Dynaudio came to Bristol armed with two new speaker ranges in the Confidence and Evoke. If they retain the Dynaudio house sound and my Luxman 590 AXII, Nordost Cables and DirectStream DAC have synergy with them I knew I would be in for a treat. If the speakers have been set up correctly, nothing will change: the performers will stay exactly in their positions and the soundstage will remain fixed in place, unaltered in width, height or depth (and you’ll hear plenty of each). I had many of their products in the past, and I’ve heard many of their higher-end models. It sounds good with a lot of stuff.eval(ez_write_tag([[250,250],'hifireport_com-banner-1','ezslot_2',134,'0','0'])); Let’s talk about the bass. The rear of the Dynaudio Evoke 50, with bass reflex port and terminals. That will be great news for many of you because most of you stream music nowadays, and streaming could use a little bit of smoothness. The Dynaudio Evoke series features five hi-fi speakers with Danish timeless housing design that treasures the high-quality features and technology referenced from their top range models. The new tweeter also benefits from the tweeter Dynaudio designed for its ‘Special 40’ speaker, an anniversary model specifically developed to celebrate Dynaudio’s forty years in the loudspeaker business. They’re kind of in-between. – Conversely, bass limitation noticeable due to excellent presence slightly higher up. If you listen to fair music at soft volumes in a small room, you can probably get away with an 18 to 30 watt per channel tube amplifier. But for most of you, 60 to 80 watts or more is where you’re going to want to be. But I was not prepared for the quality and expansiveness of the bass from the dual bass drivers, nor was I prepared for the performance from the new Cerotar tweeter, which was exceptionally good… so good that it was very easily encroaching on the Esotar3’s territory. Af udseende er Evoke 20 umiskendeligt Dynaudio, men med mere afrundede hjørner end på tidligere serier. The 15cm unit they chose is derived directly from the high-end Contour range – which means a powerful neodymium magnet, a 0.4mm-thin diaphragm and a glass-fibre voice-coil former with a trademark Dynaudio aluminium voice-coil. They are 85-90% of the Contour series and less than half the price. Turning this speaker around, we’re going to have this lovely curved cabinet and a walnut veneer. Its powerful 7" mid/bass driver ensures it can flex its muscles when there’s heavy lifting to be done, while its 1.1" soft-dome tweeter takes care of the fine detail. I like that because it gives the sound some solidarity but doesn’t expect this little speaker to sound way more significant than it is in low-end output. You can feel that “someone” versus “something” made these. Newport Test Labs measured the sensitivity of the Dynaudio Evoke 50 as being 87dBSPL at one metre, for a 2.83Veq input under its standard test conditions, a result that is in exact agreement with Dynaudio’s own specification. The Evoke 10 has a very natural tone, especially for the price. To the point where the Evoke 10 can borderline change their entire character depending on the kind of gear that you use. Here’s the bottom line, Dynaudio has always had one significant strength, and that is their versatility. Yet, at the same time, they’re transparent. What I like so much about them is there’s some expression to the tone. It’s a compact two-way, rear-ported, bass-reflex design. The Dynaudio Evoke 20 is a highly capable and revealing loudspeaker that let’s you know exactly what’s going on in the music but does so in a warm, relaxed fashion, this doesn’t stop music that’s frantic or intense sounding the way it was intended but it means that less refined recordings don’t sound harsh or … Scroll down and see all reviews for Dynaudio Evoke 20 bookshelf speaker. David A Posting Freak. It’s made entirely of plastic and although it’s flared where it exits the cabinet, the same isn’t the case at the entrance of the port, inside the cabinet. But that’s not the case with the Evokes. Teaming a fashionable aesthetic with formidable sonics, the Evoke 30 crafts the perfect fusion of both. Hexis er taget direkte fra de nyeste Contour- og Confidence-serier og findes ikke i andre Dynaudio … I accept that it's a thought experiment but take a look at the impedance plots in Stereophile speaker reviews. Unusually for a driver of this size, the voice-coil is driven by a neodymium magnet, which seems to suggest that the design may be a variant of the midrange driver Dynaudio uses in its Contour range. The sonics are such that you can hear the soundboard at work making the sound bigger and more authoritative, and you’ll never be left wondering whether you’re listening to a Steinway or a Fazioli, such are the incredible detailing abilities of those Evoke 50 bass drivers. That’s because of driver integration. 1 year ago After many speaker demos my wife and I pulled the trigger on the Dynaudio Evoke 50. They’re very, very easy to listen to, even on less than perfect recordings. If you use just the outer ring, you simply reduce the size of the port. Dynaudio Confidence/Evoke series. Click here for more information about Australian Hi-Fi, including details on how to subscribe. Let’s talk about the dynamic output. When you listen to these speakers, you’ll notice that number one, they don’t project in a forward way. When it comes to equipment matching, the good news is that they are effortless to work with, and they’re also very transparent. The LYD have older units more similar to the old Excite. The sonorities Hardy creates with his 1793 Guadagnini are ear-opening: the warmth of the instrument is exceptional, yet never so warm that you can’t hear the perfection of his vibrato. Here’s a brief history of the brand. How can you get it? It’s balanced. Power output per se is not important—these are efficient loudspeakers, so they’ll make the most of any reasonably-powered amplifier—so any solid-state design that’s rated by its manufacturer with an output into a 2Ω load will be fine… or equally any non-SET valve amp with a 2Ω tap. Don’t get me wrong. This two-way design pairs the 28mm Cerotar tweeter and Hexis with an 18cm long-throw woofer. I appreciate the versatility, the build quality, the history. For the very few products used in its speakers that Dynaudio does not manufacture in-house, such as the capacitors and resistors used in its crossovers, for example, this Danish company is so large that it derives enormous benefits from the economies of scale. When you first unpack the Dynaudio Evoke 50 speakers, on the front of each cabinet you’ll find a bright yellow plastic puck right where the tweeter should be, attached via three tiny neodymium magnets. I would have preferred a wood finish but at 20% off for an open box, I'm not $450 enthusiastic about the wood. Now think about a bass/midrange driver that has to produce both bass and midrange sounds because the particular cabinet in which it’s fitted does not have a midrange driver. When it comes to setting these speakers up in your room, the good news is they’re straightforward to work with. It also has a good focus in between the speakers. If you’d like to hear something fabulous that has both the piano and the violin working the Dynaudio Evoke 50s’ midrange hard (as well as those superb bass drivers), I can totally recommend Brahms’ Complete Sonatas for Violin and Piano on Calliope (Harmonia Mundi) as performed by Andrew Hardy and Uriel Tsachor. All rights reserved. They’ve been steadily improving that design through the years. Like all new Evoke models, it features Dynaudio’s new 28mm Cerotar tweeter with the new Hexis inner dome. 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